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Lady Gaga says that it’s unfair to judge Kanye West for his onstage confrontation with Taylor Swift at the MTV Video Music Awards earlier this month. The Lady Gaga video, Poker Face is among the most watched in the world today.
Gaga, who’s preparing to launch a North American tour with West in November, tells The Canadian Press that West made a mistake when he jumped onstage and interrupted Swift’s acceptance speech.
But Gaga calls West a “pioneer in hip-hop music” and says that fans should keep in mind that West has had a major influence over all pop music.
She adds that “it’s unfair to judge a person because of one thing that they said.”
West and Gaga have seven Canadian dates planned on their co-headlining tour, with shows scheduled in Saskatoon, Vancouver, Calgary, Edmonton, Toronto, Ottawa and Montreal.
Gaga, the flamboyant singer of such hits as “Poker Face” and “LoveGame,” will perform on “Saturday Night Live” this weekend.
Lady Gaga’s Poker Face is the most downloaded song since the download chart began five years ago, the Official UK Charts Company says.
The single notched up 779,000 sales on downloads alone to top the chart, and her first UK release Just Dance is the third most downloaded with 700,000.
Kings of Leon featured at numbers two and four with their hits Sex on Fire and Use Somebody
La Roux’s In For The Kill came in at number five.
Michael Jackson will be buried in a private ceremony on August 29 - the date he was due to celebrate his 51st birthday, a spokesman for his family said.
The late King of Pop’s final resting place will be the Great Mausoleum at Forest Lawn cemetery in Los Angeles, spokesman Ken Sunshine confirmed.
Jackson - who died on June 25 at his rented property in LA - will be buried at Forest Lawn’s Glendale site, around eight miles north of downtown Los Angeles.
Jackson’s burial was delayed while experts conducted a number of post-mortem examinations and toxicology tests. The singer’s brain was returned to the family earlier this month, leading the way for burial plans to be made. Micheal Jackson Thriller is the best selling album of all time.
Publication of the results of the autopsy are yet to be made public, with coroners in LA waiting until the end of a police investigation into Jackson’s death. Post-mortem examination results are widely expected to show Jackson was on heavy medication when he died.
The police investigation into Jackson’s death has increasingly focused on the role the star’s personal doctor played in the events leading up to his collapse.
Over the past month, a number of Dr Conrad Murray’s offices and his home have been raided by federal agents looking for evidence.
Sources indicate they are working on the belief that the physician gave the star propofol - a powerful sedative - to help him sleep shortly before he died.
Federal agents last week raided a pharmacy in Las Vegas connected to Jackson’s physician. They came away with evidence that an anaesthetic of the type thought to have killed the singer was brought by the doctor.
Dr Murray hasn’t been named as a suspect but court records have identified him as the subject of a manslaughter investigation.
Unless you have plenty of time, getting hold of a ticket for a sports event or music gig is never easy. For Instance, the whole Michael Jackson’s mammoth 50 date residency at London O2 sold out at 33 tickets PER MINUTE. So how on earth can a person who’s got a full time job get their hands on a ticket if they’re selling out so fast?
Go to the second-hand market on the web.
Not so long ago, the only method to get hold of a resold concert or sports ticket was via a ticket tout at the event itself. This meant paying double or triple the face value, or even possibly being handed bogus tickets which would likely be recognized as such as you tried to enter the gig - and that means you not only miss the game or concert, you’ve lost a bundle of money in the process.
Nevertheless, the situation has improved for music and sports devotees. The secondary ticket niche has cleaned up its act in the last 10 years or so, thanks to the internet. Now there is so much competition to resell tickets online, the industry has become self-regulating. Your tickets don’t have insurance? I’l purchase that ticket from another website! Many ticket sellers offer insurance if the gig or event is cancelled. And with strong competition online, secondary tickets have become cheaper to the stage that sometimes you’re not spending much more than the actual original price of the ticket. Many ticket buyers look at prices between dozens of vendors selling secondary tickets for the same event. They evaluate the prices, insurance, seating, and even previous history of the vendor prior to deciding to purchase or not - so the force has considerably shifted away from the dodgy looking tout of days gone by to the ticket purchaser.
Today you can buy tickets for all kinds of sports events and concerts. From cricket to soccer to basketball matches, to getting your hands on decent seats for your favourite band; resale tickets provide a second opportunity to go to the event you want to see. How can you buy tickets online? Use a search engine like Google and type in your keyphrase like Kings of Leon tickets, and you will discover a huge range of resale ticket brokers who can offer that ticket to you.
Not everyone is happy with the idea of resale tickets though. Some people call resale ticket agents as spongers, and they’d like to see an end to the resale of event / gig tickets. They don’t seem to see the worthwhile function resale tickets bring : there’s such a short amount of time that someone can buy a ticket when it’s on sale the first time around.
Forming a show with a multiple listing of bands can prove to be difficult when finding the proper mesh of attendees. After all as tradition will tell you, you can’t please everybody. So often there are those vehemently angered, testosterone saturated behemoths that decide that they will attend the show regardless for one band though they hate all the others. Now talk about ruining the experience for everybody. You would think that most would educate themselves before the house. You make sure you know where you’re going, what time you need to be there, what you’re going to wear, if you’re going to stop for a bite to eat before, but apparently the thought of checking who else is on the bill is entirely irrelevant, and the instantaneous remedy is to merely ruin the experience for all others around you.
Imagine for example that you’re going to a concert in the IE. Now larger events can expectedly have a great deal of money invested in them. If promoters are keeping the buzz alive, big names are on the marquee, and an Inland Empire web design firm was employed to build a promotional site, you can probably count on the intended experience to be a success. Now imagine some jerk in the crowd punching people and ogling the acts on stage. Not only are they plainly put annoying as all else, but they are also cheapening the experience for patrons that invested their time and money attending. Next time they would be better off staying home and allowing others to get their money’s worth rather than putting up with the guy who won’t shut up.
For over three decades, Aerosmith have been one of rock’s most revered and popular bands, crafting classic songs full of raw guitar runs and intensely energetic vocals. The band first reached fame in the 1970’s with a string of hits including “Dream On,” “Sweet Emotion” and “Walk This Way.” During this period, Aerosmith’s music defied easy categorization, falling somewhere between hard rock/blues and early punk, with occasional power ballads here and there. The band enjoyed major popularity throughout the 1970’s, but a split from 1979-84, and the serious substance abuse and drug addictions that contributed to their decline, would nearly relegate them to the annals of history. However, in 1984, Aerosmith was born again. They went on to enjoy resurgence in popularity that has made them one of the top-selling and most popular rock bands in the world today.
Throughout their rough and rocky history, Aerosmith defied failure and even defied mediocrity in a fast-paced rock-and-roll world abundant in tragedy and also-rans. Aerosmith signed with Columbia in 1972 and debuted their first album simply titled Aerosmith, which included a hit single, “Dream On”. After constant touring, the band released Get Your Wings in 1974, which did quite well on the charts, but it was Toys in the Attic in 1975 that established Aerosmith as international superstars. Originally pegged as Rolling Stones clones, Toys in the Attic showed that Aerosmith was a unique and original talent in their own right. Part heavy metal, part glam rock, and part punk, Toys in the Attic was an immense success, starting with the single “Sweet Emotion”, then a successful re-release of “Dream On”, and a new song from the album, “Walk This Way”. Both of the band’s previous albums re-charted as a result. Aerosmith’s next album, Rocks, went platinum swiftly and featured two hits, “Back in the Saddle” and “Last Child”.
Their next album, Draw the Line, was not nearly as successful, though the title track proved to be a minor hit. While continuing to tour and record into the late 1970’s, Aerosmith acted in the movie version of Sgt. Pepper’s Lonely Hearts Club Band, covering the Beatles hit “Come Together.” As their popularity waned and drug abuse began affecting their output, Joe Perry left the band in 1979 during the recording of their sixth studio album Night in the Ruts and formed The Joe Perry Project. Perry’s role in Aerosmith was initially taken by longtime friend and songwriter Richie Supa and then later by guitarist Jimmy Crespo who recorded the remainder of the album.
Aerosmith released its mammoth-selling Greatest Hits album in 1980, and in 1981 the band suffered another loss with the departure of Brad Whitford. Rick Dufay replaced Whitford and the band recorded their seventh album, Rock in a Hard Place. The album was considered a relative failure. The tour that followed this release is notable for Steven Tyler’s collapse onstage during a 1983 performance.
On Valentine’s Day 1984, Perry and Whitford went to see Aerosmith play. They officially rejoined the ranks of Aerosmith once more in April of that year. Steven Tyler recalls, “You should have felt the buzz the moment all five of us got together in the same room for the first time again. We all started laughing - it was like the five years had never passed. We knew we’d made the right move.”
Aerosmith embarked on a lucrative reunion tour entitled “Back in the Saddle”, which produced the live album Classics Live II. Their problems were still not behind them when the group signed with Geffen Records and began working on a comeback.
1985 saw the release of Done with Mirrors, their first studio album since the highly publicized reunion. It fared relatively well commercially, but it did not produce a hit single or generate much hope for their comeback. By the time the record was released, Tyler and Perry had exited drug rehabilitation. The group appeared on Run D.M.C.’s incredibly successful cover of “Walk This Way”, blending rock and roll and hip-hop and successfully beginning Aerosmith’s comeback. The group’s next release was Permanent Vacation (1987), which included the hits “Dude (Looks Like a Lady)”, “Rag Doll”, and “Angel”. Their next album, Pump, was received even better; Pump featured four Top Ten singles: “Janie’s Got a Gun”, “What It Takes”, “Love in an Elevator”, and “The Other Side”. Aerosmith was definitely in the midst of a major resurgence.
Despite significant shifts in mainstream music at the beginning of the 1990’s, the band’s 1993 follow-up to Pump, Get a Grip, was just as successful commercially. Though many critics were unimpressed by the focus on power-ballads in promoting the album, three songs (”Cryin’ “, “Crazy” and “Amazing”) proved to be huge successes on radio and MTV. The music videos featured then fresh up-and-coming actress Alicia Silverstone; her provocative performances earned her the title of “the Aerosmith chick” for half a decade. Steven Tyler’s daughter, Liv Tyler, was also featured in the “Crazy” video. Aerosmith signed with Columbia Records again in the early 1990’s, but they had to complete two contractual albums for Geffen before recording for the new label.
The next album, Nine Lives, was plagued with personnel problems, including the firing of manager Tim Collins. Reviews were generally mixed, and Nine Lives initially fell on charts, although it had a long chart life and sold double platinum in the US alone. It was followed by a series of late ’90’s releases, mostly earlier material that was live or retrospective. The albums sold relatively well, but also marked a second decline in popularity and critical respect for the band.
Aerosmith’s biggest hit of the ’90’s, and its only #1 single to date, was the love theme from the film Armageddon, “I Don’t Want to Miss a Thing”. This song was conceived by Joe Perry and Diane Warren, although Warren alone received songwriting credit. Steven Tyler’s daughter Liv was featured in the movie. In 1999, they were in the Disney-MGM Studios ride (and later in the Walt Disney Studios Park ride), Rock ‘n’ Roller Coaster. Aerosmith provided the soundtrack and theme for the ride, which is based on their recording session and following concert.
The band started its next decade with the release in 2001 of Just Push Play, which charted well. They were also inducted into the Rock and Roll Hall of Fame. Later that year, the band appeared as part of the United We Stand concert in Washington D.C. for 9/11 victims and their families. Stubbornly, the band flew back to Indianapolis for a show the same night, refusing to interrupt their Just Push Play tour schedule.
In 2002, Aerosmith released the 2-disc compilation O Yeah! Ultimate Aerosmith Hits and embarked on the Girls of Summer tour with opening acts Kid Rock and Run-DMC. In 2003, Aerosmith co-headlined with Kiss on the Rocksimus Maximus tour. Their long-promised blues album, Honkin’ on Bobo, was released in 2004. The Album continues to be a success, helping to inspire the resurgence of blues and roots music across the US and Europe. A live DVD, You Gotta Move, followed it in December 2004. The band also lent its well-known “Dream On” to an advertising campaign for Buick in 2004, targeting their audience, which is now composed largely of people who were teenagers when the song first charted.
In 2005, guitarist Joe Perry released his eponymous solo album. Many claim that it is in many ways truer to the Aerosmith of the ’70’s than any of their recent output. This is mostly due to its raw energy and lack of song doctoring. In October 2005, Aerosmith released a CD/DVD named Rockin’ the Joint. The band hit the road for the Rockin’ The Joint tour on October 30th with Lenny Kravitz and is still touring.
They expect to be on the road until some time around Spring 2006. Rumor has it that they will begin work on a new album at that time. It was announced in January that the band will embark on a 5-week tour with Cheap Trick in the spring. Rumors of a tour started a week before the announcement when Cheap Trick front man Robin Zander joined the band onstage for “Come Together” during a concert in Tampa, Florida. Early reports also indicate that the band plans to resume touring in the fall of 2006, most likely in support of the new album. According to insiders, an upcoming tour may see them alongside Motley Crue.
This article was written by F.R. Penn sponsored by www.stubhub.com. If you’re looking for tickets for the next Aerosmith show, look no further than Stubhub.com where fans buy and sell the hottest tickets. Reproductions of this article are encouraged but must include a link back to www.stubhub.com.
Basically, Americana is Country Music. Hold on! Wait! Don’t go
clicking away yet!
We’re not talking here about the cliches of Line Dancing,
Stetsons and songs about losing Wife, Dawg and Car (not
necessarily in that order).
What we’re talking about is music with attitude, whether that be
protest songs, introspective ballads or just plain old bad-ass
hell-raising good time music - country yes, but Americana is
also rock, blues, traditional bluegrass and even soul. Music
without boundaries, held together by a common thread of realism,
honesty and heart.
You like Springsteen and Neil Young? Well, Steve Earle is
probably the most high profile name in Americana. If you’re a
fan of The Boss and Neil Young in equal measures and you haven’t
come across the phenomena that is Steve Earle then do yourself a
favour and get hold of ‘Guitar Town’ or ‘Copperhead Road’ and
see what you’ve been missing.
A whole new generation of singer-songwriters influenced by
pre-’Achy, Breaky Heart’ country music are making their mark
today, inspired by another anti-hero Townes Van Zandt (a better
songwriter than Dylan, many would say). And don’t think
Americana music is a closed-shop club of world-weary men. Take a
listen to Tift Merritt as an example of a young girl with vocals
as soulful and powerful as Aretha, or Patty Griffin, who can
fell a person at fifty feet with her soaring vocals and incisive
lyrics, and can blow you away with the hardest rocking
alternative guitar music around.
So you don’t want deep and introspective? Okay, Shooter Jennings
might be just up your street - the son of Waylon, Shooter has
hung out with Guns’n'Roses and obviously listened to Ted Nugent
as a kid. Good time music, next generation. Take a listen on a
road trip and you’ll be singing along. Guaranteed.
Americana has its own association, and it is close to having its
own Billboard chart. But Americana is independent; the Americana
Music Association could just as easily have been named the
Awkward Musicians Association. It is a free spirit, embraces all
comers and loves the diversity of the dobro, mandolin, Les Paul
and Stratocaster. It is conservative and liberal in equal
measures and pretty darn hard to pin down.
In 2005 the Americana Music Association celebrated its 4th
annual Honors and Awards ceremony which was held for the first
time at the famous Ryman Auditorium in Nashville Tennessee, the
spiritual home of Country Music. The AMA is happy to co-exist
with the Country Music Association, but where the CMA Awards are
a glitzy, showbiz affair, the AMA Awards are more down home,
more real. Heck, they even have a ‘Freedom of Speech’ award.
Americana music is deserving of your attention. The Americana
Music Association is run by people who care deeply about the
music, about its influence and about retaining the true spirit
of traditional music and traditional values. Yes, we love our
Country Music and our singer-songwriters and our Texan
attitudes, but you won’t find any inverted snobbery about
Shania, Tim or Faith.
So, enough words … track down the music and judge for
yourself.